{"id":760,"date":"2025-03-06T09:32:12","date_gmt":"2025-03-06T08:32:12","guid":{"rendered":"https:\/\/2024.biennaledelubumbashi.com\/?p=760"},"modified":"2025-03-06T09:37:32","modified_gmt":"2025-03-06T08:37:32","slug":"kasongo-immaterial-georges-noemie","status":"publish","type":"post","link":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/","title":{"rendered":"KASONGO (IM)MATERIAL: Georges &#038; Noemie"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"760\" class=\"elementor elementor-760\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4e197f0 elementor-section-boxed elementor-section-height-default elementor-section-height-default parallax_section_no qode_elementor_container_no qode-content-aligment-left\" data-id=\"4e197f0\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1e151043\" data-id=\"1e151043\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-821f35b elementor-widget elementor-widget-text-editor\" data-id=\"821f35b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><b>KASONGO (IM)MATERIAL, <\/b><span style=\"font-weight: 400;\">le film de No\u00e9mie Arazi et Georges Senga, explore\u00a0 l&#8217;histoire oubli\u00e9e des Swahili-Arabes en R\u00e9publique d\u00e9mocratique du Congo. Leur\u00a0 trajectoire d&#8217;oppresseurs \u00e0 opprim\u00e9s ainsi que l&#8217;adoption locale de leur culture et\u00a0 de leur langue refl\u00e8tent les tensions et l&#8217;ambivalence de l&#8217;histoire et du\u00a0 patrimoine. Entrem\u00ealant des sc\u00e8nes de fouilles, des archives et des\u00a0 enregistrements contemporains, une arch\u00e9ologue et un photographe\u00a0 s&#8217;int\u00e9ressent \u00e0 l&#8217;impact affectif de ce qui persiste du pass\u00e9 au pr\u00e9sent.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-dde8c40 elementor-section-boxed elementor-section-height-default elementor-section-height-default parallax_section_no qode_elementor_container_no qode-content-aligment-left\" data-id=\"dde8c40\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f095797\" data-id=\"f095797\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-62ede89 elementor-widget elementor-widget-heading\" data-id=\"62ede89\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Georges Senga &amp; Noemie Arazi\n<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f2ae72c elementor-widget elementor-widget-text-editor\" data-id=\"f2ae72c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><b>Georges Senga<\/b><span style=\"font-weight: 400;\">, photographe originaire de Lubumbashi, et <\/span><b>Noemie Arazi<\/b><span style=\"font-weight: 400;\">,\u00a0 arch\u00e9ologue n\u00e9e \u00e0 Beyrouth, explorent ensemble les th\u00e8mes de la m\u00e9moire, du\u00a0 patrimoine et de l&#8217;identit\u00e9. <\/span><b>Senga<\/b><span style=\"font-weight: 400;\">, bas\u00e9 \u00e0 Rotterdam, r\u00e9v\u00e8le dans ses \u0153uvres la\u00a0 r\u00e9silience des r\u00e9cits congolais \u00e0 travers la photographie, tandis qu&#8217;<\/span><b>Arazi <\/b><span style=\"font-weight: 400;\">combine l&#8217;arch\u00e9ologie et les r\u00e9cits oraux pour pr\u00e9server le patrimoine culturel en\u00a0 Afrique. Leur travail en commun met en lumi\u00e8re les traces laiss\u00e9es par les\u00a0 individus et les \u00e9v\u00e9nements, tout en cherchant \u00e0 activer l&#8217;acc\u00e8s \u00e0 l&#8217;histoire et au\u00a0 patrimoine. En 2016, <\/span><b>Arazi <\/b><span style=\"font-weight: 400;\">a fond\u00e9 Groundworks, une organisation qui promeut\u00a0 l&#8217;engagement communautaire autour de l&#8217;histoire culturelle, tandis que <\/span><b>Senga <\/b><span style=\"font-weight: 400;\">est actif au sein de l&#8217;Atelier Picha et du collectif On Trade Off \u00e0 Lubumbashi. Ses\u00a0 \u0153uvres ont \u00e9t\u00e9 expos\u00e9es internationalement, notamment en 2023 \u00e0 la\u00a0 Kunsthalle de Mayence dans l&#8217;exposition Unextractable : Sammy Baloji invites.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>KASONGO (IM)MATERIAL, le film de No\u00e9mie Arazi et Georges Senga, explore\u00a0 l&#8217;histoire oubli\u00e9e des Swahili-Arabes en R\u00e9publique d\u00e9mocratique du Congo. Leur\u00a0 trajectoire d&#8217;oppresseurs \u00e0 opprim\u00e9s ainsi que l&#8217;adoption locale de leur culture et\u00a0 de leur langue refl\u00e8tent les tensions et l&#8217;ambivalence de l&#8217;histoire et du\u00a0&#8230;<\/p>\n","protected":false},"author":1,"featured_media":658,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.3.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>KASONGO (IM)MATERIAL: Georges &amp; Noemie - Biennale de Lubumbashi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KASONGO (IM)MATERIAL: Georges &amp; Noemie - Biennale de Lubumbashi\" \/>\n<meta property=\"og:description\" content=\"KASONGO (IM)MATERIAL, le film de No\u00e9mie Arazi et Georges Senga, explore\u00a0 l&#8217;histoire oubli\u00e9e des Swahili-Arabes en R\u00e9publique d\u00e9mocratique du Congo. Leur\u00a0 trajectoire d&#8217;oppresseurs \u00e0 opprim\u00e9s ainsi que l&#8217;adoption locale de leur culture et\u00a0 de leur langue refl\u00e8tent les tensions et l&#8217;ambivalence de l&#8217;histoire et du\u00a0...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/\" \/>\n<meta property=\"og:site_name\" content=\"Biennale de Lubumbashi\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-06T08:32:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-06T08:37:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin5747\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin5747\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/\"},\"author\":{\"name\":\"admin5747\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/person\/740701815c1f4a143a7b647726044717\"},\"headline\":\"KASONGO (IM)MATERIAL: Georges &#038; Noemie\",\"datePublished\":\"2025-03-06T08:32:12+00:00\",\"dateModified\":\"2025-03-06T08:37:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/\"},\"wordCount\":255,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg\",\"articleSection\":[\"Non class\u00e9\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/\",\"url\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/\",\"name\":\"KASONGO (IM)MATERIAL: Georges & Noemie - Biennale de Lubumbashi\",\"isPartOf\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg\",\"datePublished\":\"2025-03-06T08:32:12+00:00\",\"dateModified\":\"2025-03-06T08:37:32+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage\",\"url\":\"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg\",\"contentUrl\":\"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg\",\"width\":2560,\"height\":1707},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/2024.biennaledelubumbashi.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"KASONGO (IM)MATERIAL: Georges &#038; Noemie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#website\",\"url\":\"https:\/\/2024.biennaledelubumbashi.com\/\",\"name\":\"Biennale de Lubumbashi\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/2024.biennaledelubumbashi.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#organization\",\"name\":\"Biennale de Lubumbashi\",\"url\":\"https:\/\/2024.biennaledelubumbashi.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2024\/12\/BIENNALE-DE-LUBU\ufffdSHI-1.webp\",\"contentUrl\":\"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2024\/12\/BIENNALE-DE-LUBU\ufffdSHI-1.webp\",\"width\":250,\"height\":60,\"caption\":\"Biennale de Lubumbashi\"},\"image\":{\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/person\/740701815c1f4a143a7b647726044717\",\"name\":\"admin5747\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/93c3b24f8d30faafed23ca1120455aa837c8c2f5e80993aaecd5fe20e94325ac?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/93c3b24f8d30faafed23ca1120455aa837c8c2f5e80993aaecd5fe20e94325ac?s=96&d=mm&r=g\",\"caption\":\"admin5747\"},\"sameAs\":[\"http:\/\/2024.biennaledelubumbashi.com\"],\"url\":\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/author\/admin5747\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"KASONGO (IM)MATERIAL: Georges & Noemie - Biennale de Lubumbashi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/","og_locale":"en_US","og_type":"article","og_title":"KASONGO (IM)MATERIAL: Georges & Noemie - Biennale de Lubumbashi","og_description":"KASONGO (IM)MATERIAL, le film de No\u00e9mie Arazi et Georges Senga, explore\u00a0 l&#8217;histoire oubli\u00e9e des Swahili-Arabes en R\u00e9publique d\u00e9mocratique du Congo. Leur\u00a0 trajectoire d&#8217;oppresseurs \u00e0 opprim\u00e9s ainsi que l&#8217;adoption locale de leur culture et\u00a0 de leur langue refl\u00e8tent les tensions et l&#8217;ambivalence de l&#8217;histoire et du\u00a0...","og_url":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/","og_site_name":"Biennale de Lubumbashi","article_published_time":"2025-03-06T08:32:12+00:00","article_modified_time":"2025-03-06T08:37:32+00:00","og_image":[{"width":2560,"height":1707,"url":"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg","type":"image\/jpeg"}],"author":"admin5747","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin5747","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#article","isPartOf":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/"},"author":{"name":"admin5747","@id":"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/person\/740701815c1f4a143a7b647726044717"},"headline":"KASONGO (IM)MATERIAL: Georges &#038; Noemie","datePublished":"2025-03-06T08:32:12+00:00","dateModified":"2025-03-06T08:37:32+00:00","mainEntityOfPage":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/"},"wordCount":255,"commentCount":0,"publisher":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/#organization"},"image":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage"},"thumbnailUrl":"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg","articleSection":["Non class\u00e9"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/","url":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/","name":"KASONGO (IM)MATERIAL: Georges & Noemie - Biennale de Lubumbashi","isPartOf":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage"},"image":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage"},"thumbnailUrl":"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg","datePublished":"2025-03-06T08:32:12+00:00","dateModified":"2025-03-06T08:37:32+00:00","breadcrumb":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#primaryimage","url":"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg","contentUrl":"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2025\/01\/DSC01460-scaled.jpg","width":2560,"height":1707},{"@type":"BreadcrumbList","@id":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/03\/06\/kasongo-immaterial-georges-noemie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/2024.biennaledelubumbashi.com\/"},{"@type":"ListItem","position":2,"name":"KASONGO (IM)MATERIAL: Georges &#038; Noemie"}]},{"@type":"WebSite","@id":"https:\/\/2024.biennaledelubumbashi.com\/#website","url":"https:\/\/2024.biennaledelubumbashi.com\/","name":"Biennale de Lubumbashi","description":"","publisher":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/2024.biennaledelubumbashi.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/2024.biennaledelubumbashi.com\/#organization","name":"Biennale de Lubumbashi","url":"https:\/\/2024.biennaledelubumbashi.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/logo\/image\/","url":"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2024\/12\/BIENNALE-DE-LUBU\ufffdSHI-1.webp","contentUrl":"https:\/\/2024.biennaledelubumbashi.com\/wp-content\/uploads\/2024\/12\/BIENNALE-DE-LUBU\ufffdSHI-1.webp","width":250,"height":60,"caption":"Biennale de Lubumbashi"},"image":{"@id":"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/person\/740701815c1f4a143a7b647726044717","name":"admin5747","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/2024.biennaledelubumbashi.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/93c3b24f8d30faafed23ca1120455aa837c8c2f5e80993aaecd5fe20e94325ac?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/93c3b24f8d30faafed23ca1120455aa837c8c2f5e80993aaecd5fe20e94325ac?s=96&d=mm&r=g","caption":"admin5747"},"sameAs":["http:\/\/2024.biennaledelubumbashi.com"],"url":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/author\/admin5747\/"}]}},"_links":{"self":[{"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/posts\/760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/comments?post=760"}],"version-history":[{"count":5,"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/posts\/760\/revisions"}],"predecessor-version":[{"id":979,"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/posts\/760\/revisions\/979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/media\/658"}],"wp:attachment":[{"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/media?parent=760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/categories?post=760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/wp-json\/wp\/v2\/tags?post=760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}