{"id":635,"date":"2025-01-31T14:49:37","date_gmt":"2025-01-31T13:49:37","guid":{"rendered":"https:\/\/2024.biennaledelubumbashi.com\/?p=635"},"modified":"2025-01-31T15:08:45","modified_gmt":"2025-01-31T14:08:45","slug":"jaime-la-rdc-lafleur-et-bogaert","status":"publish","type":"post","link":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/01\/31\/jaime-la-rdc-lafleur-et-bogaert\/","title":{"rendered":"J’aime La RDC: LAFLEUR ET BOGAERT"},"content":{"rendered":"\t\t
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Leur projet in-situ pour la Biennale 2024, intitul\u00e9 <\/span>‘J’aime RD Congo’<\/b>, s’inspire des\u00a0 complexit\u00e9s de leur collaboration carib\u00e9enne-europ\u00e9enne. Leur projet\u00a0 s’articulera autour des sacs de courses ‘j’aime RD Congo’, dont les motifs vibrants\u00a0 serviront d’\u00e9l\u00e9ment central pour l’exposition. Ils pr\u00e9voient aussi de collaborer\u00a0 avec la po\u00e8te slam <\/span>Jenny Munyongamay<\/b>, une artiste locale. <\/span>‘J’aime RD Congo’\u00a0 <\/b>explorera les th\u00e8mes de g\u00e9opolitique, propagande, art contemporain, justice\u00a0 sociale et r\u00e9volution. \u00c0 Lubumbashi, ils chercheront \u00e0 impliquer diverses\u00a0 communaut\u00e9s, en travaillant avec des activistes, artistes, politiciens et citoyens,\u00a0 pour montrer comment l’art contemporain peut contribuer \u00e0 mieux comprendre\u00a0 et gu\u00e9rir les traumatismes li\u00e9s \u00e0 l’histoire coloniale et imp\u00e9rialiste.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LAFLEUR & BOGAERT<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Michel Lafleur<\/b>, peintre ha\u00eftien ayant d\u00e9but\u00e9 comme apprenti d\u00e9corateur de\u00a0 Tap-Taps, et <\/span>Tom Bogaert<\/b>, ancien juriste belge devenu artiste apr\u00e8s une carri\u00e8re\u00a0 aux Nations Unies, forment <\/span>le duo Lafleur & Bogaert <\/b>depuis 2013. Leur\u00a0 collaboration a commenc\u00e9 lors de la 3e \u00e9dition de l’Atis Rezistans \/ Ghetto\u00a0 Biennale \u00e0 Port-au-Prince, o\u00f9 Lafleur \u00e9tait d\u00e9j\u00e0 actif au sein du collectif. Le duo\u00a0 est reconnu pour ses projets acclam\u00e9s, notamment \u00e0 documenta fifteen, qui\u00a0 refl\u00e8tent un engagement artistique profond et critique. En 2023, leur travail a \u00e9t\u00e9\u00a0 r\u00e9compens\u00e9 par le prix de la Meilleure exposition de l’ann\u00e9e de l’Association\u00a0 internationale des critiques d’art en Allemagne. Leur premi\u00e8re exposition solo \u00e0\u00a0 New York est pr\u00e9vue pour 2025, marquant une \u00e9tape importante dans leur\u00a0 parcours.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Leur projet in-situ pour la Biennale 2024, intitul\u00e9 ‘J’aime RD Congo’, s’inspire des\u00a0 complexit\u00e9s de leur collaboration carib\u00e9enne-europ\u00e9enne. Leur projet\u00a0 s’articulera autour des sacs de courses ‘j’aime RD Congo’, dont les motifs vibrants\u00a0 serviront d’\u00e9l\u00e9ment central pour l’exposition. Ils pr\u00e9voient aussi de collaborer\u00a0 avec la…<\/p>\n","protected":false},"author":1,"featured_media":642,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"yoast_head":"\nJ'aime La RDC: LAFLEUR ET BOGAERT - Biennale de Lubumbashi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/2025\/01\/31\/jaime-la-rdc-lafleur-et-bogaert\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"J'aime La RDC: LAFLEUR ET BOGAERT - Biennale de Lubumbashi\" \/>\n<meta property=\"og:description\" content=\"Leur projet in-situ pour la Biennale 2024, intitul\u00e9 ‘J’aime RD Congo’, s’inspire des\u00a0 complexit\u00e9s de leur collaboration carib\u00e9enne-europ\u00e9enne. 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