{"id":702,"date":"2025-02-17T15:48:24","date_gmt":"2025-02-17T14:48:24","guid":{"rendered":"https:\/\/2024.biennaledelubumbashi.com\/?page_id=702"},"modified":"2025-03-06T09:18:38","modified_gmt":"2025-03-06T08:18:38","slug":"routes-navigations","status":"publish","type":"page","link":"https:\/\/2024.biennaledelubumbashi.com\/index.php\/routes-navigations\/","title":{"rendered":"Routes & Navigations"},"content":{"rendered":"\t\t
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Routes & Navigations<\/h3>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Le programme public Routes et Navigations explore les strat\u00e9gies artistiques qui\u00a0 cherchent \u00e0 perturber la colonialit\u00e9 des archives cartographiques et de\u00a0 navigation. Le programme co\u00efncidera avec l’ouverture de la<\/span>8e<\/span> \u00e9dition de la\u00a0 Biennale de Lubumbashi, qui prend comme point de d\u00e9part la biblioth\u00e8que et\u00a0 les archives donn\u00e9es par le philosophe congolais Valentin-Yves Mudimbe \u00e0\u00a0 l’universit\u00e9 de Lubumbashi. Prenant en compte les r\u00e9flexions de Mudimbe sur \u00ab\u00a0 l’invention de l’Afrique \u00bb \u00e0 travers le discours colonial, la Biennale cherche \u00e0 ouvrir\u00a0 un dialogue sur les possibilit\u00e9s d’engagement anticolonial avec les archives\u00a0 coloniales.\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Routes et Navigations s’appuiera sur les r\u00e9sultats d’un projet de recherche et\u00a0 d’engagement intitul\u00e9 Congo-Liverpool Routes, actuellement d\u00e9velopp\u00e9 \u00e0\u00a0 Liverpool gr\u00e2ce \u00e0 une collaboration entre la Tate Liverpool et l’International\u00a0 Slavery Museum (mus\u00e9e international de l’esclavage). Le projet s’appuie sur des\u00a0 collections de mus\u00e9es et des documents d’archives qui t\u00e9moignent des liens\u00a0 historiques et actuels entre le Congo et Liverpool. \u00c0 travers une s\u00e9rie d’ateliers\u00a0 dirig\u00e9s par des artistes, Congo-Liverpool Routes cherche \u00e0 impliquer les\u00a0 communaut\u00e9s congolaises de Liverpool pour repenser les h\u00e9ritages de\u00a0 l’exploitation pass\u00e9e tout en imaginant des feuilles de route pour des avenirs\u00a0 diff\u00e9rents.\u00a0\u00a0<\/span><\/p>

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Liverpool et le Congo ont d’abord \u00e9t\u00e9 li\u00e9s par l’implication de la Grande-Bretagne\u00a0 dans le commerce des esclaves, puis par le commerce colonial. La fa\u00e7on dont\u00a0 les marchands et les esclavagistes ont trac\u00e9 des routes de navigation et\u00a0 document\u00e9 leurs op\u00e9rations au Congo a fa\u00e7onn\u00e9 la fa\u00e7on dont le Congo a \u00e9t\u00e9\u00a0 per\u00e7u, connu et administr\u00e9 en Europe. En dialogue avec le th\u00e8me de la Biennale\u00a0 de Lubumbashi intitul\u00e9 Vers un antidote \u00e0 la toxicit\u00e9, Routes et Navigations pose\u00a0 la question suivante : quelles strat\u00e9gies les artistes peuvent-ils proposer pour\u00a0 remettre en question ces modes de connaissance r\u00e9ducteurs et oppressifs ? Elle\u00a0 constitue une opportunit\u00e9 de donner une pr\u00e9sence au projetCongo-Liverpool\u00a0 Routes au Congo, dans un esprit de restitution et d’\u00e9change et de dialogue\u00a0 transnational et r\u00e9ciproque. Cependant, le programme Routes et Navigations\u00a0 vise \u00e0 aller au-del\u00e0 des liens entre Liverpool et le Congo en ouvrant un espace\u00a0<\/span><\/p>

pour des explorations artistiques plus larges des r\u00e9cits africains et afro diasporiques de navigation et de routes d’\u00e9change. Les artistes invit\u00e9s Hadassa\u00a0 Ngamba, Jos\u00e8fa Ntjam et Dawit L. Petros pr\u00e9senteront leur travail sur le sujet ainsi\u00a0 que leur int\u00e9r\u00eat pour les dynamiques coloniales et post-coloniales qui explorent\u00a0 comment d’autres routes non coloniales ont \u00e9merg\u00e9 gr\u00e2ce \u00e0 la r\u00e9silience, \u00e0 la\u00a0 gu\u00e9rison et \u00e0 d’autres strat\u00e9gies prosp\u00e8res.\u00a0\u00a0<\/span><\/p>

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En outre, l’objectif du rassemblement d’artistes, de conservateurs et de praticiens\u00a0 de la culture bas\u00e9s au Congo et au-del\u00e0 est de d\u00e9velopper des r\u00e9seaux\u00a0 professionnels et artistiques durables d’\u00e9change et de soutien, et de soutenir le\u00a0 d\u00e9veloppement artistique collectif et individuel, en rompant avec les cadres\u00a0 coloniaux de r\u00e9tention et d’extraction des connaissance.\u00a0<\/span><\/p>

Artistes participants : <\/b>Hadassa Ngamba, Jos\u00e8fa Ntjam, et Dawit L. Petros\u00a0<\/span><\/p>

Organis\u00e9 par : <\/b>Carine Harmand, Adiva Lawrence, Portia Malatjie et Odessa\u00a0 Warren\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Routes & Navigations Le programme public Routes et Navigations explore les strat\u00e9gies artistiques qui\u00a0 cherchent \u00e0 perturber la colonialit\u00e9 des archives cartographiques et de\u00a0 navigation. Le programme co\u00efncidera avec l’ouverture de la8e \u00e9dition de la\u00a0 Biennale de Lubumbashi, qui prend comme point de d\u00e9part la…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"footnotes":""},"class_list":["post-702","page","type-page","status-publish","hentry"],"yoast_head":"\nRoutes & Navigations - Biennale de Lubumbashi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2024.biennaledelubumbashi.com\/index.php\/routes-navigations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Routes & Navigations - Biennale de Lubumbashi\" \/>\n<meta property=\"og:description\" content=\"Routes & Navigations Le programme public Routes et Navigations explore les strat\u00e9gies artistiques qui\u00a0 cherchent \u00e0 perturber la colonialit\u00e9 des archives cartographiques et de\u00a0 navigation. 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